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900 million spectators! (What are the odds the first version of the script had ‘9 billion’ listed, followed by a bunch of grunts and confused looks when someone pointed it out, then an epic argument ensued on which number was more accurate?)ġm15s: CART no longer had the BorgWarner trophy it moved to the rival Indy Racing League in 1996, so Driven made up one of their own and put it in someone’s eye.
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(And if you make it to the end, be sure to right-click and download your rewards.)ġm08s: Driven’s first big lie.
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So off we go with my Driven Viewer’s Guide, with time stamps provided to help you spot the 100-plus oddities and oversights in the movie that gets funnier every time it’s watched. And why are we celebrating Driven’s 19th anniversary? Because it sure as hell doesn’t deserve a 20th. Now, on the 19th anniversary of Driven, something equally horrific has been produced with whatever you might call the content below. Factor in the time to edit, crop photos, and place everything into the CMS, and a good 24 hours was consumed on this fool’s errand.Īll because I feel a strange attachment to the flick from being there during its filming throughout the 2000 CART season, and bore witness to the highly dramatic hopes for a film that was soon referred to as ‘Drivel’ after its release on April 27, 2001. But here we are, some 23 pages and nearly 12,228 words fired into a Word document later.
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Like the movie written by and starring Sylvester Stallone and directed by his friend Renny Harlin about a fake 2000 CART Ind圜ar Series season, the desire to produce this guide makes zero sense. So why not spend somewhere between 16 and 18 hours slogging through the two-hour film to document the comedy of errors and ineptitude for future generations in the first Driven Viewer’s Guide? to the Beach House Pictures family.It’s the worst racing movie ever made.
“Si En and Kris have an ambitious creative vision and are producing the kind of bold scripted content that will resonate with audiences around the world right now. and its dynamic and talented team,” said Jocelyn Little, MD of Beach House Pictures. We were instantly energized by the opportunity to be in business with Momo Film Co. “Scripted content remains a huge priority for Beach House Pictures as we continue to expand our slate on a global scale. She is also the co-writer on He Shuming’s debut feature film Ajoomma, which is currently in production. Ong, meanwhile, is a script consultant at HBO Asia, and also a writer/director whose latest short film Sunday had its world premiere in 2019. Tan’s recent credits include The Year Of The Everlasting Storm, while she also produced Anthony Chen’s film Wet Season. Momo, meanwhile, was founded in 2018 by producer Tan Si En and writer/director Kris Ong. Its slate also includes Ed Stafford: First Man Out, Wild City, MasterChef Singapore and China From Above, while sibling divisions include Beach House Kids, Beach House Entertainment and Beach House Labs. Singapore-based Beach House is one of Asia’s largest indies and specialises in scripted and unscripted programming.
The deal follows Beach House’s recent purchase of a majority stake in Japanese producer Vesuvius Pictures and the appointment of Felix Feng as general manager of its operations in China, as well as the launch of post-production facility Space Lion Studios in Singapore. The acquisition will help to rapidly expand Beach House’s growing scripted slate and library of Asian IP, while also complementing its unscripted business, which includes titles such as The Raincoat Killer: Chasing a Predator in Korea for Netflix and Otter Dynasty for Animal Planet and Love Nature. Blue Ant Media’s Asian indie Beach House Pictures has acquired a majority stake in Singapore-based scripted prodco Momo Film Co.
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